1) Read Beyond Hollywood: Reading Arthouse Cinema. This is in MM45 on page 24 - go to our Media Magazine archive to find the article. Sum up the article in one sentence.
Overall, the article talks about how arthouse films are innovative and therefore, appeal to a wide audience.
2) What are some of the suggested audience pleasures for arthouse film?
3) Why do some audiences struggle with arthouse film? Refer to some media theory here (there are some important media theories discussed in the article itself).
Some audiences struggle with arthouse films are films that are purposely difficult to understand or ‘read’ therefore those of middle class, more intellect and more cultural capital.
4) To what extent is arthouse film only for the middle classes and older audiences? Why might this be the case?
5) What type of audience would A Field In England appeal to?
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